Many of the specific features we associate with Paris today – impressive sites like the Eiffel Tower and Sacré Coeur, French cinemas, and even the distinguished Art Nouveau Metro entrances – were born out the period of the Belle Époque. This era, which lasted from the later 19th century up to the beginning of World War I, is oft characterized as one of pleasure, wealth, and beauty.

But it was also an era riven by political unrest, plagued by many of the issues the contemporary world contends with today, with the rise of radical political factions that resorted to extreme protests and violence to achieve their This can be seen in the construction of the Basilica of the Sacré-Coeur, symbol of reactionary French Catholicism, and the Eiffel Tower, centerpiece for the Universal Exposition of 1889—both of which were the result of significant technological progress. That progress also brought electricity (Paris became “the city of light”) as well as industrial displacement, already underway with the other construction projects of Baron Georges Haussmann.

To explore these themes is today’s guest, Mike Rappaport, author of “City of Light, City of Shadows, Paris in the Belle Époque.”  We explore social pressure from both right and left to address the deepening sense of social injustice and inequalities in the form of violent anarchism and syndicalism.

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