When I Survey the Wondrous Cross

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When I Survey the Wondrous Cross
The hymn, "When I Survey the Wondrous Cross", was written by Isaac Watts, and published in Hymns and Spiritual Songs in 1707. It is significant for being an innovative departure from the early English hymn style of only using paraphrased biblical texts.

1. When I survey the wond'rous Cross
On which the Prince of Glory dy'd,
My richest Gain I count but Loss,
And pour Contempt on all my Pride.

2. Forbid it, Lord, that I should boast,
Save in the Death of Christ my God:
All the vain things that charm me most,
I sacrifice them to his Blood.

3. See from his Head, his Hands, his Feet,
Sorrow and Love flow mingled down!
Did ever such Love and Sorrow meet?
Or Thorns compose so rich a Crown?

4. His dying Crimson, like a Robe,
Spreads o'er his Body on the Tree;
Then am I dead to all the Globe,
And all the Globe is dead to me.

5. Were the whole Realm of Nature mine,
That were a Present far too small;
Love so amazing, so divine,
Demands my Soul, my Life, my All.

Songwriters Isaac Watts Published by Public Domain

In Isaac Watts’ early years, congregations in England sang almost exclusively from metrical psalms. Church music was confined to paraphrased portions of Scripture, often lacking the warmth and directness that stirred personal devotion. By the time of Watts’ death, however, the landscape of English hymnody had changed dramatically. Through more than 600 hymns published in seven collections, Watts helped move the Church from strict psalm recitation to rich, Christ-centered hymn writing grounded in the full counsel of Scripture.

Watts believed that hymns should do more than restate biblical text. They should carry the truths of the gospel in language suited for congregational praise. He insisted that church songs reflect the message of the sermon and clearly proclaim Christ, not merely retell Old Testament events without reference to their fulfillment. For Watts, singing was an act of teaching and response. Hymns were to give voice to the believer’s repentance, gratitude, and hope, expressing living faith rather than distant history.

Through this conviction, Watts became a central figure in shaping the hymn tradition we now take for granted. He showed that theological depth and heartfelt worship belong together. By writing hymns that were biblically faithful, doctrinally clear, and personally expressive, he opened the door for generations of hymn writers to follow. The Church’s song was never the same, and much of what we sing today stands on the foundation he laid.


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When I survey the wondrous cross
When I Survey the Wondrous Cross