At The Cross (Alas, and did my Savior bleed)
GodTube Staff

Alas! and did my Savior bleed
And did my Sovereign die?
Would He devote that sacred head
For sinners such as I?
Refrain:
At the cross, at the cross where I first saw the light,
And the burden of my heart rolled away,
It was there by faith I received my sight,
And now I am happy all the day!
Thy body slain, sweet Jesus, Thine—
And bathed in its own blood—
While the firm mark of wrath divine,
His Soul in anguish stood.
Was it for crimes that I had done
He groaned upon the tree?
Amazing pity! grace unknown!
And love beyond degree!
Well might the sun in darkness hide
And shut his glories in,
When Christ, the mighty Maker died,
For man the creature’s sin.
Thus might I hide my blushing face
While His dear cross appears,
Dissolve my heart in thankfulness,
And melt my eyes to tears.
But drops of grief can ne’er repay
The debt of love I owe:
Here, Lord, I give my self away
’Tis all that I can do.
Words: Isaac Watts (1707)
Isaac Watts, the author of “At the Cross (Alas, and Did My Savior Bleed)”, is widely regarded as the “Father of English Hymnody,” a title that reflects his influential role in the writing and development of English-language hymns. This song was written in 1707 under the original title “Godly Sorrow Arising from the Sufferings of Christ.” Born in 1674 to a devout Nonconformist family, Watts was shaped by a deep love for Scripture from childhood. His father, twice imprisoned for his convictions, urged his children to treasure the Bible above all books. As a young man, Watts grew dissatisfied with the uninspired psalm singing of his day and began writing hymns that expressed gospel truth in fresh, heartfelt language. Though criticized for composing songs not taken word-for-word from Scripture, he believed that if believers could pray in their own words, they could also sing in them.
The hymn originally contained six stanzas and no refrain. The familiar chorus, “At the cross, at the cross, where I first saw the light,” was added much later in 1885 by Ralph F. Hudson, who also paired it with the tune many congregations know today. Earlier, in 1800, Hugh Wilson had set the words to a tune called “Martyrdom.” Over time, the hymn appeared in several versions, each using Watts’ searching verses but adding refrains and different melodies. Through these adaptations, the central message remained unchanged: a personal reckoning with Christ’s suffering and a heartfelt response to His sacrifice.
Rich in biblical truth, the hymn leads us to the heart of the gospel. Watts wrote of Christ bearing punishment “for such a worm as I,” echoing the humility of Psalm 22 and the sorrow of the crucifixion accounts. The lines point to propitiation, the truth that Jesus satisfied the holy justice of God by offering Himself as the atoning sacrifice for our sins. When Watts asks, “Was it for crimes that I had done?” he invites each of us to see our own sin laid upon the Savior. The hymn closes in surrender: “Here, Lord, I give myself away.” It is both confession and consecration, calling believers not only to remember the cross, but to respond with grateful devotion.
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